actual letter of resignation

this was meant to be a joke.

From: B
To: R
CC: N, E

Hi Raymond,

Can you please send your letter of resignation to E and include N and myself. I really appreciate you giving us multiple week’s notice. Note in your letter that your last working day at ASU is [redacted].

Thanks,
[B]

[redacted title]
University Technology Office
Arizona State University
[redacted phone]

------------------------------------------------------------

From: R
To: B
CC: N, E

Hi E,

I forgot to ask what form these letters usually take. What information should be included? Is there a standard length? (Will 4-5 pages be enough?) Do you prefer MLA or APA style citations? Do I get bonus points for including video / audio?

I just want to make sure I do a good job,
Thanks!

--R

------------------------------------------------------------
From: E
To: R
CC: B, N

Ray,
You’re so thorough! The minimum is one or two sentences stating that you are leaving the University and when your last day of employment will be. Here’s an example :


I am writing to inform you of my decision to resign from ASU. effective (insert date). I have greatly enjoyed working for you for the past years. I feel that I have learned a lot, and grown professionally during my time in your employ.
Thank you for your understanding of my decision to leave the company, and all your support over the years. I wish you all the best for your continued success.
Please feel free to contact me with any questions about the projects I have been working on.
Respectfully,

Once your supervisor accepts your resignation, I receive a copy (email) and I’ll respond by sending you, and your supervisor, information for separating employees.

[E]

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From: R
To: E
CC: B, N

[E]!
Sorry for the delay! I just filtered your example through my Google translator (I think the language was set for "Teenager".) I hope it works!

OMG, this got totally buried! I'm so seriously bummed to let y'all know that I'm bouncing out of this joint, effective [redacted date]. It's been rad working with and for you, I seriously feel like my face is going to melt from all your awesome. I appreciate your help in growing my fantasticality so much, I don't have words, only smileycons :-) :-D :-) :-D :-) :-D :-) Thanks a ton for putting up with me and my antics over these years. I wish you all the best growing in your eminent badassedness(es).

KIT, BFF, Have a great summer!
--Ray-Ray

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From: N
To: R

Wow.

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From: B
To: R
CC: N

Hope the new job brings some professionalism in your communications. :0

regarding nerd evangelism - intro

for the last few months, I've managed to keep my interest in Starcraft 2 pretty casual. I have a few friends who are still refusing to buy it because they "can't trust themselves with that game in the house." these are, of course, non-trivial concerns; a number of us went through some epic binges with the original Starcraft during college. nevertheless, that was college; I figured I'd be older and wiser now*... or at the very least, too busy to indulge in a horrendous, life-ruining video game binge. I've been pretty actively resisting taking the game too seriously. I was nonchalant about losing matches and refused to look into build orders or other "vetted" strategies of any kind. I didn't even play every night; sometimes I would even a whole week or more off (*gasp*) to do things like go outside and hang out with people in the real world.

all in all, I gloated about the fact that I was a fairly terrible player.

I should've known that it wouldn't last. this is something that began to nag at me-- being terrible. with some activities, I can handle not being awesome and I can definitely be fine with average. being bottom-rung terrible and watching peers put time in and get better and better; it would gnaw at my sense of nerdity. monday mornings, I began to whine to obsessed co-workers about a bad run of matches-- my casual weekend gaming was becoming less entertaining and more frustrating as I seemed to lose match after match. repeatedly they offered to examine my style of play, my strategies, etc. and repeatedly I rebuffed attempts to "formalize" my play and get better. a few more weeks, my frustration grew steadily, but so did my resistance to formally researching and memorizing build orders and other aspects of the game. my co-workers (perhaps out of being tired of hearing the same complaint week after week) suggested that I "casually check out" a blog by a high-level player. this sounded suspiciously like research to me, but on a slow facebook news day, I watched a few episodes.

my casual attitude is currently in serious jeopardy.

let me take a small digression. I love watching people geek out about things. making things and getting better strategically at games, writing, programming or even just hashing out great ideas. I love all of it. I especially love when the geeking involves a non-traditionally nerdy realm; cars, sports strategy, ufc, law / politics, cooking or formulating some complex theory of human behavior. I'm fascinated by the energy of creation. I'm particularly fascinated when the act of creation itself goes through a thorough refinement process. I may not always understand the details, but I love the sentiment. people who freak out about some incremental increase in status ("omg, I acquired a new [xyz]") is not particularly interesting, but whatever process or minutiae that makes you better at doing something or improves your understanding-- "optimization of complexity comprehension"-- I dig it tons. h summed it up when she called me "basically a strategy nerd."

sean "day [9]" plott warms my nerdy little heart.

day[9] is a top-ranked player and 11+ year veteran of Starcraft. his vblog / show, "the Day[9] Daily," offers commentary, strategy and bouts of hilarious, face-palming geekery. people who view themselves as "normal" tend to get dismissive if you use the words "strategy," "vblog" and "Starcraft" in too close of proximity to each other, but what day[9] does is truly fantastic. he is a surprisingly inspiring example of a nerd's pure love of an activity. more about this later.

existential disc

"nothing contributes so much to tranquilize the mind as a steady purpose--a point on which the soul may transfix its intellectual eye" -- mary shelley

I am thrashing uselessly against the dry dead grass and dirt. desperation and pain roll me onto my side, then my back, then my front with my legs kicking idiotically the entire time. I struggle to stop flailing for a moment and after an eternity, I finally feel air slowly seep into my lungs again. a few thankful gasps later, a relieved "fucking christ" sneaks out from between my clenched teeth. yay, for being able to breathe again. I just lay there for a moment and wait for the throbbing in my ears to die down. fucking phoenix with its fucking dead grass. these "fields" are basically parking lots of hard packed clay that some asshole decided to sprinkle some hay on. stuff is starting to itch my face. tastes nasty too-- tastes like the shame of missing a diving catch after a long run.

gradually, the world around me comes back into focus. pairs of cleats approach. voices of concern. the nearest one chuckles as I get helped off the ground.

"the score is ray, zero; the ground, a billion."

as I stand, various parts of my body feel it necessary to call attention to their existences.

excuse me. EXCUSE me. hello? yes. hello. I did not enjoy that. thank you. why the hell do you do that to us? why? for glory? for pride? for what? for a disc of plastic? could you please consider the consequences of diving at the ground? hey everyone, please shut up. we are still in need of air.

"you okay?"

tell him you're dying. I AM ACHY RIBS, PAY ATTENTION TO ME. "okay, enough."

"awesome. play on!"

and the whining fades as play restarts. the nagging of pain and exhaustion diffuses into superfluous background noise. the disc is in the air again. my entire world once again narrows to 160 grams of airborn plastic.

I am naught but the chase.

throwing clay

a few weeks ago, I was inspired to start sketching again (with paragraphs and writing), so this may not turn out to be a fully formed post. I'm working on being okay with that. it's been a good long while since I've written anything longer than a few paragraphs here. as I spent more and more time away from this blog, a "comeback" became a larger and larger thing in my mind. it didn't matter that I probably lost every one of my regular readers over that stretch of time; I wanted to "say something", stand out from other blogs (especially as more and more people created mediocre blogs.) after about three years, I found myself where I had already been. that's one thing about a journey of a thousand miles that some people neglect; with one leg an imperceptible bit shorter than the other, ten thousands steps forward will bring you back to where you began.

so I'm trying to shift paradigms a little. rather than thinking about these next years as a grand journey I embark on, I'm just going to doodle more. and by more, I mean a ridiculous amount. in code, in writing, in random contract pursuits, whatever. for my writing habits, in particular, this is a pretty huge change. for the longest time, my writing style was inspired by that scene in Amadeus where Salieri looked over Mozart's manuscripts:

...they showed no corrections of any kind. Not one. He had simply written down music already finished in his head. Page after page of it as if he were just taking dictation. And music, finished as no music is ever finished. Displace one note and there would be diminishment. Displace one phrase and the structure would fall.

I was inspired by the anecdote of Kerouac locking himself away and writing On the Road in three weeks on a giant roll of paper. the story goes that he got hepped up on benzedrine (or according to him, just coffee) and pounded everything out on this one giant roll of paper so that his inspired fervor wouldn't be interrupted by petty things like changing the paper in his typewriter. I imagined Douglas Adams as described in the Salmon of Doubt. he was the one who said, "I love deadlines. I like the whooshing sound they make as they fly by." sometimes, it would get to the point where his editor would sit in his living room with an unfinished manuscript while Adams bounded up and down his stairs typing and delivering one page of a story at a time. I thought of the rogue Hunter S. Thompson and how he preferred the typewriter because nervousness about making any mistakes gave him the edge he needed to concentrate on his writing.

much of the early writing on this site reflected these influences. during college, I took pride in being able to write 4 and 5 page essays by hand with few, if any, rewrites. by late college, I discovered that to complete longer assignments I only needed as many hours as pages due. eight page assignments were started exactly eight hours before they were due, etc. the longest stretch I attempted a 15 page semester project that was began in the library so I could start my research exactly 15 hours before I ran into the classroom to turn it in. I got an A and the paper was pretty good, but I think I reached some threshold. my fifth year, I tried to pull the same stunt with an article I wrote for the college newspaper. I think the caffeine and lack of sleep blew a brain gasket at about 4am the day the article was due. my editors dragged the article out of me kicking and whining (both the article and me) and sent me home to sleep for about 15 hours. I was never quite happy with it, but never finished fixing it for this site.

at the same time, the stories of genius taking dictation from God were beginning to crack. Mozart's greatest contributions came much later in his career, after much experimentation and many "on the fly" revisions. Kerouac's work underwent something like three years of revisions. I began to develop an appreciation for Beethoven's near obsessive-compulsive grinding and polishing of pieces into perfection. I was reading and re-reading Dweck's studies about mindset and Ericsson's (et. al) theories about the ten-thousand hour rule for "genius." even chess masters' alleged ability to see a bajillion moves in advance was broken down by cognitive science into somewhat mundane component parts. not to join the pop-culture reference bandwagon, but this was the inception of a new philosophy.

start small

three broad goals for 2010
1/ follow bliss: be less hindered in the search for ecstatic moments. doing so requires the realization of: "any commitment, that is, any progression from a state of perfect balance, must create, a vulnerability."
2/ be more peaceful: "it does not mean to be in a place where there is no noise, trouble or hard work. it means to be in the midst of those things and still be calm in your heart."
3/ reduce the moobs a little: seriously. or get a manssiere.

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